by Jon Eisenberg | Dec 6, 2015 | Bands
[vc_row][vc_column width=”2/3″][vc_column_text]Most artists would bristle at the term self-indulgent, but Keller Williams often invokes it in describing his own approach to music. To Williams, being self-indulgent means creating music that satisfies him; if he likes what he’s produced, he figures, then his audience is more likely to embrace it too. If he’s not happy with it, why would they be?
And so, when Williams describes his first-ever all-covers collection, the amusingly titled Thief, as “self-indulgent, like all of my albums,” that signifies not an inwardly pointed diss but a thumbs-up from one of the most tireless musical seekers around. Recorded with the Keels-husband and wife duo Larry and Jenny Keel-Thief is a sequel to the trio’s 2006 collaboration Grass, and to those of us on the receiving end, there’s nothing self-indulgent about it. If anything, it’s about as accessible and welcoming a record as Keller’s ever made.
“I’m a music lover first, a musician second and a songwriter third,” Williams says, “so a covers record is a natural progression for me. I love writing songs and I love performing my songs. But I go out and do about 120 shows a year, and I just can’t write enough to play new songs all the time. There are always different cover songs to learn though; just flipping around on the radio, next thing you know you’ve got a song stuck in your head. If you change it around and play it completely differently, it sounds like a whole new song.”[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=5JwL_qRQGG4″ align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fkellerwilliams.net%2F|title:http%3A%2F%2Fkellerwilliams.net%2F||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2Fkellerwilliams%2F|title:https%3A%2F%2Fwww.facebook.com%2Fkellerwilliams%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Finstagram.com%2Fkellerwilliams|title:https%3A%2F%2Finstagram.com%2Fkellerwilliams||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2Fkellermusician|title:https%3A%2F%2Ftwitter.com%2Fkellermusician||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14284″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
by Jon Eisenberg | Dec 5, 2015 | Bands
[vc_row][vc_column width=”2/3″][vc_column_text]Thirty years ago, Kyle Hollingsworth set out on a career in music. Since then, with a wealth of desire and an abundance of ability, Hollingsworth has established himself as a formidable and versatile music talent, with the ability to contribute, collaborate, compose, and communicate on a number of levels and within a vast spectrum of musical environments.
Today, as a member of acclaimed jam masters The String Cheese Incident, Hollingsworth is revered by both peers and fans for his ability to write and perform in a mosaic of styles, from rock to classical, ragtime to bebop. Playing in SCI has allowed him unrestricted access to the world of music, and has bestowed on him the kind of fearlessness a composer needs to flirt with such disparate genres. Those who’ve seen SCI know that they can jerk from funk to bluegrass on a chord change. “In the jam world, where there are no set ways of doing things, we’re not afraid to move in and out of genres,” he says, “and because of that, I’ve learned to be creative, not only onstage but in the studio. I can get on board with something pretty quickly. You have to.”
While his versatility and quick-study nature have become his signature skills with SCI, they have also proved tremendously helpful on stage during collaborations with a bunch of major acts, including Paul Simon, Bruce Hornsby, Bob Weir, Little Feat, and banjo master Bela Fleck. One summer he toured with Phil Lesh in a band that also included Steve Kimock, John Molo, and Warren Haynes. In the summer of 2008 he spent the summer touring with the Mickey Hart Band.[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=BVzjWepOp78″ align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fkylehollingsworth.com%2F|title:http%3A%2F%2Fkylehollingsworth.com%2F||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2Fkylehollingsworthmusic%2F|title:https%3A%2F%2Fwww.facebook.com%2Fkylehollingsworthmusic%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Fwww.instagram.com%2Fkyle_on_keys%2F|title:https%3A%2F%2Fwww.instagram.com%2Fkyle_on_keys%2F||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2FKyleOnKeys|title:https%3A%2F%2Ftwitter.com%2FKyleOnKeys||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14290″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
by Jon Eisenberg | Dec 5, 2015 | Bands, Tour Marketing
[vc_row][vc_column width=”2/3″][vc_column_text]After 17-plus years of performing more than 100 concerts annually, releasing eight studio albums and selling more than 3.5 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continue to push the envelope and test the limits. Their brand-new studio album, The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one.
The original Umphrey’s McGee played a mix of originals and cover songs, waiting just eight months to release their debut album, the cheekily titled Greatest Hits Volume III. Their initial “proper” recording, Local Band Does OK, came out in 2002, followed shortly afterward by an appearance at the first-ever Bonnaroo in Tennessee, selling more albums than any other band on the bill. The 2007 double album, Live at the Murat, earned a four-star review in Rolling Stone and a Jammy for Best Live Album.[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=pqhX1BZePV4″ align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fwww.umphreys.com|title:www.umphreys.com||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2Fumphreysmcgee%2F|title:https%3A%2F%2Fwww.facebook.com%2Fumphreysmcgee%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Fwww.instagram.com%2Fumphreysmcgee%2F|title:https%3A%2F%2Fwww.instagram.com%2Fumphreysmcgee%2F||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2Fumphreysmcgee|title:https%3A%2F%2Ftwitter.com%2Fumphreysmcgee||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14301″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row]
by Jon Eisenberg | Dec 5, 2015 | Bands
[vc_row][vc_column width=”2/3″][vc_column_text]There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, “If it mixes with rhythm, and if it dances, then you’ve got a great combination of all those different kinds of music: country, bluegrass, blues music, show music…” To which Scorsese, the inquisitive interviewer, asks, “What’s it called, then?” “Rock & roll!” Clearly looking for a more specific answer, but realizing that he isn’t going to get one, Marty laughs. “Rock & roll…” Well, that’s the way it is sometimes: musicians play music, and don’t necessarily worry about where it gets filed. It’s the writers, record labels, managers, etc., who tend to fret about what “kind” of music it is.
And like The Band, the members of Railroad Earth aren’t losing sleep about what “kind” of music they play – they just play it. When they started out in 2001, they were a bunch of guys interested in playing acoustic instruments together. As Railroad Earth violin/vocalist Tim Carbone recalls, “All of us had been playing in various projects for years, and many of us had played together in different projects. But this time, we found ourselves all available at the same time.”
Songwriter/lead vocalist Todd Sheaffer continues, “When we started, we only loosely had the idea of getting together and playing some music. It started that informally; just getting together and doing some picking and playing. Over a couple of month period, we started working on some original songs, as well as playing some covers that we thought would be fun to play.” Shortly thereafter, they took five songs from their budding repertoire into a studio and knocked out a demo in just two days. Their soon-to-be manager sent that demo to a few festivals, and – to the band’s surprise – they were booked at the prestigious Telluride Bluegrass Festival before they’d even played their first gig. This prompted them to quickly go in and record five more songs; the ten combined tracks of which made up their debut album, “The Black Bear Sessions.”[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=vaGUFRhuINQ” align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fwww.railroadearth.com%2F|title:http%3A%2F%2Fwww.railroadearth.com%2F||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2FRailroadEarth%2F|title:https%3A%2F%2Fwww.facebook.com%2FRailroadEarth%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Fwww.instagram.com%2FRailroadEarth%2F|title:https%3A%2F%2Fwww.instagram.com%2FRailroadEarth%2F||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2FRailroadEarth|title:https%3A%2F%2Ftwitter.com%2FRailroadEarth||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14298″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row]
by Preston Heffley | Dec 5, 2015 | Bands
[vc_row][vc_column width=”2/3″][vc_column_text]It was in Bozeman, Montana that our Kitchen Dwellers first discovered a constant source of musical inspiration near the kitchen, with bluegrass music, and each other. From those free-form kitchen picking sessions, their very own chief recipe of a bluegrass style was created. Over the course of their 4 year career the Dwellers have been honored to open for some of their very own musical heroes: Railroad Earth, Greensky Bluegrass, Head for the Hills, Horseshoes and Handgrenades, just to name a few. And as ambitious as it was daring, the band set to dedicating a greater portion of 2013 and 2014 to hitting the road. They were honored to be welcomed at the very own Delfest in Cumberland, Maryland, took second place at the Telluride Bluegrass Festival’s band competition and was selected as a finalist at the North West String Summit band competition at Hornings Hideout in Oregon all in the summer of 2014.
All this work and travel over the course of the last four years has developed a diverse fan base (some may even be so bold as to coin themselves “dishwashers.”) These enthusiastic fans, friends and now family have followed the Dwellers’ as they have set off across the country performing at all sorts of venues and theatres, such as: The Mishawaka and Oriental theatres in Colorado, The Tonic Room in Chicago, The Cabooze in Minneapolis, The Emerson Ballroom of Bozeman Mt, and The Top Hat in Missoula. Not mentioning all the amazing bars and other various venues not mentioned that made these tours possible.[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=-haNGlXbrxI” align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fwww.kitchendwellers.com%2F|title:http%3A%2F%2Fwww.kitchendwellers.com%2F||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2FKitchen.dwellers%2F|title:https%3A%2F%2Fwww.facebook.com%2FKitchen.dwellers%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Fwww.instagram.com%2Fkitchendwellers%2F|title:https%3A%2F%2Fwww.instagram.com%2Fkitchendwellers%2F||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2FDwellergrass|title:https%3A%2F%2Ftwitter.com%2FDwellergrass||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14722″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row]
by Preston Heffley | Aug 20, 2015 | Bands
[vc_row][vc_column width=”2/3″][vc_column_text]Eufórquestra (pronounced yoo-FOHR-keh-struh, think euphoria+orchestra) is energy and rhythm personified. An ever-evolving sound that has been influenced by music from all over the world with an emphasis on funk, pocket and groove. For over a decade the band has been igniting dance floors across the country, blending the roots of funk, soul, afrobeat, reggae and dub to create a sound that “explodes, dances and melts in your ear with sheer bliss”(Chris M. Slawecki; AllAboutJazz.com).
Eufórquestra’s fifth full-length record, FIRE, was produced by Kyle Hollingsworth (of The String Cheese Incident) and captures the passion and musical maturing of these road warriors. Over the course of 14 tracks, the band takes you on an hour-long adventure that will touch your heart and mind, and keep your fingers and toes tapping. A handful of special guests, including Elliot Martin (John Brown’s Body), Gabriel Mervine and Kim Dawson (The Motet) and Mr. Hollingsworth himself, put their own touches on the band’s already cohesive sound that is “tight and engineered to a fine, funky precision.” (Jeremy Frazier; Chicago Jam Scene) The result is a record that is distinctly modern, maintaining one foot in the future and firmly planting in the musical roots traditions of the past.[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=_klppUS5Y6s” align=”right”][vc_btn title=”Website” color=”primary” link=”url:http%3A%2F%2Fwww.euforquestra.com%2F|title:http%3A%2F%2Fwww.euforquestra.com%2F||”][vc_btn title=”Facebook” color=”primary” link=”url:https%3A%2F%2Fwww.facebook.com%2Feuforquestra%2F|title:https%3A%2F%2Fwww.facebook.com%2Feuforquestra%2F||”][vc_btn title=”Instagram” color=”primary” link=”url:https%3A%2F%2Fwww.instagram.com%2Feuforquestra%2F|title:https%3A%2F%2Fwww.instagram.com%2Feuforquestra%2F||”][vc_btn title=”Twitter” color=”primary” link=”url:https%3A%2F%2Ftwitter.com%2Feuforquestra|title:https%3A%2F%2Ftwitter.com%2Feuforquestra||”][vc_btn title=”Join The Street Team” color=”warning” link=”url:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F|title:http%3A%2F%2Fwww.blackspymarketing.com%2Fapp%2F||”][/vc_column][vc_column width=”1/3″][vc_single_image image=”14277″ img_size=”full” alignment=”center”][vc_empty_space height=”10px”][vc_custom_heading text=”Upcoming Events” use_theme_fonts=”yes”][vc_empty_space height=”20px”][vc_raw_html]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[/vc_raw_html][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
